
Wednesday, March 4, 2015
Aubrey Beardsley (1872-1898)

Albert Bruce Rogers (1889-1957)



Frederic Goudy (1865-1947)
A freelance designer from Chicago who specialized in lettering and typographic design. Goudy edited two journals "Ars Typographica and Typographica which had major impacts on book design. He is responsible for over 122 typefaces, basing many of them on Venetian and French Renaissance type designs. He had developed the love for type and letter forms at a young age teaching himself typography and printing, he sold his first typeface "Camelot" for $10. His love for work lasted his whole lifetime as he worked all the way up until his death at 82.
Charles Robert Ashbee (1863-1942)

Arthur Heygate Mackmurdo (1863-1942)


Ford Maddox-Brown (1821-1893)
Ford
Maddox-Brown was an English painter of historical subjects. He was mostly known
for his distinctively graphic version of the Pre-Raphaelite style. Work was his most notable painting.
During the 1850’s he and William Morris collaborated on multiple art projects.
In 1861 he became a founder, investor in a design company, Morris, Marshall, Faulkner & Co, that belonged to William
Morris. For this company he designed a series of stained glass windows and
created hand-made furniture. By the 1870’s he established himself as one of
London’s top painters.
William Morris (1834-1896)




The Innovator
John Ruskin (1819-1900)
During this
time period, John Ruskin was known for his criticism of art in the arts and
crafts movement. Along with being a critic of the arts, he was also an art
patron, draughtsman, watercolorist, an important social thinker and a philanthropist.
In all of his writings he emphasized the important connections between nature,
art and society. He also frequently drew up detailed sketches of nature,
including rocks, plants, birds, landscapes and more. He was a huge influence in
the later half of the 19th century, all the way up to WW1. Today,
his ideas are seen as having interest in environmentalism, sustainability and
craft.
History
In the later half of the nineteenth century there was a group of artists
who rejected the ongoing production of industrialism in civilization.
The Industrial Revolution dominated the world as people were finding
work in factories and manufacturing industries where the work did not
focus so much on craftsmanship but rather hard labor with machine
operations. The artists had been set in their ways with only
handcrafting their work while incorporating it with art. Many products
were influenced by the movement of arts and crafts, from furniture to
wallpaper, book covers to tapestry, and from pottery to mosaics. One of
the most memorable contributors of this movement was writer poet and
artist William Morris (1834-1896). He designed many works and most of
his art is still seen today, as he kept his approach natural and genuine
to the viewer. Morris admired the medieval period and the art that came
from that era, he would try to incorporate into his work in his own
way. In the image posted here you can see how Morris utilized nature
with design. The plant and vines surround the entire page with its
repetitive patterns, and guides the viewer into the maze of the pattern
possibly losing them in the process. Its unique and is one of the many
patterns Morris made for the arts and crafts period, and is still seen
on many products today, more wallpaper and furniture then anything.
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